Thursday, November 27, 2008

Baddeo's Alluring Women Of Power: Inquirer

Another set of photos I took grace today's (11/28/2008) edition of The Philippine Daily Inquirer - Lifestyle Fashion&Beauty section page H-2. This is the second time my photos to appear on this publication and yet still no credits. These photos were taken during the Grand Allure fashion show at the Philippine Fashion Week Spring Summer '09 last October 26, 2008 - featuring the designs of Eddie Baddeo. Thanks Tita Eddie & Sir Edgar for the opportunity, I really appreciate it a lot.
Below is the complete article:
Baddeo's Alluring Women Of Power
Inspired by such remarable women as Michelle Obama, Oprah Winfrey, Loren Legarda and Boots Anson-Roa, fashion design artist Eddie Baddeo presented a strong collection worthy to be worn by these alluring ladies of power.
The Philippine Fashion Week at the SMX Convention Center is one of the best platforms to showcase his glamorous creations, the maverick designer buckled down to work and joined a sterling lineup on "Grand Allure Night."
Knowing that the Grand Allure Section is generally considered Couture Night, Baddeo displayed his mastery of draping with a 10-piece collection made of stretch satin and sil cocoon.
His grand statement? Sculptured sleeves he deftly manipulated, shaped and molded into sinuous accent for his jewel-toned floor-sweeping gowns.
Statuesque models, in towering Wilson stilettos, looked rich and luxurious in hair and makeup by Jinky Ilusorio and Rudy Adriatico, Director Raymond Villanueva set the evening to a romantic mood.
"The atmosphere is the '80s, when peop;e were brimming with optimism and everyone was just happy! At that time, YSL and Ungaro came up eith clothes that were vibrant and colorful,: Baddeo says.
Sharply constructed, with the necklines as the focal point, Baddeo admits that his exquisite creations drew heavy inspiration from strong women in powerful positions.
After all, only women of substance and a certain dynamism can carry the gowns with panache and aplomb.

Sunday, November 23, 2008

The Stars Are On Aries: Business Mirror, Life

Another set of photos I took grace today's (11/24/2008) edition of business mirror. These photos were taken during the final fashion show of the Project Runway Philippines reality show at the Philippine Fashion Week Spring Summer '09. The article is entitled "The Stars Are On Aries" by C. Mendez Legaspi. Thanks Charlize.
By the way, I'm sharing the photo credits with Lem Estiva.

Below is the complete article and if you check the newspaper version there are about 9 photos that are used in the article (click here for the web version):



The technician Aries Lagat’s winning Project Runway Philippines collection, which was showcased during the recently held Philippine Fashion Week The collection was a marvel of technique and execution.

The designer from Mindanao trumped the contenders from the Visayas and Luzon in the compelling finale of the first season of the runaway hit reality show Project Runway Philippines. Though not exactly fashion’s “Promised Land,” creative talents from Davao, General Santos and Cagayan de Oro are fast pulling their acts together.
Aries Lagat, the winner of the behind-the-seamstress addictive reality program, hails from war-torn Iligan City and had to do his final collection at the house of fellow designer Jerome Salaya Ang in the metro. “I plan to have my shop here. I’m now Manila-based. Now that I have the money [to set up shop], I will strike while the iron is hot,” the fast-talking former instructor at the Fashion Institute of the Philippines says. “I want to dress up young celebrities, the ones who understand what I do like Teresa Herrera and Alessandra de Rossi.”
“I also plan to have a shop here [Manila] as well as in Cebu. Enough of being a slave outside the country!” echoes first runner-up Philipp Tampus, the Lapu-Lapu City native who toiled for years in the Middle East. “I want to dress up Kris Aquino, because she is maingay and magandang endorser!”
The “second princess,” as he wants to be known, is Makati-based VJ Floresca. “I want someone who is challenging, like Gretchen Barreto.” To which Tampus reflexively says, “Ay ako si Gretchen na rin!” And the three finalists burst into infectious laughter at Club Bureau at A. Venue, Makati.
It may have been a grueling competition but the three, definitely the most equipped and the most hardworking on the show, developed a friendship among themselves and the other contestants. “We were always told, ‘This is a competition! Huwag kayo magtulungan!’ Eh ganun kami eh. Tulungan talaga. There was unity. There was a bayanihan spirit,” the loquacious Floresca shares.
The show aired on ETC and produced by Unitel and Solar Entertainment rewards real talent, unlike other reality competitions where text and online votes affect the outcome of a given challenge. Lagat was the most triumphant, Challenge 1: Individuality as a Designer; Challenge 4: Nesvita Design Challenge; Challenge 7: Beverly Hills 6750. Tampus snared Challenge 2: 13 Legends, where he appropriated Augie Cordero; and Challenge 11: the Terno.
Floresca, The Modernist, won one: the Cinderella RTW Challenge. Because of that, he opted to do a retail-inflected “practical” collection for the final runway show at the recently concluded Philippine Fashion Week at the SMX Convention Center. It was a radical departure from his avant-haute aesthetic. Needless to say, some of his supporters were terribly disappointed.
“I have no regrets [with what I showed]. It was more of a challenge for me to shift [my design direction].
I wanted to prove that I was versatile. If people weren’t disappointed, then I wouldn’t have fulfilled the challenge [that I set out for myself.]”
Tampus, The Romantic, unleashed an “ethereal” collection of lace and crochet that belied his Arab references. “It was really torture on my part to edit and edit my collection,” he recalls with a heavy sigh. His Arab clientele, he says, are fond of embellishments, “but this was a competition. Gusto ko sana ilabas lahat! But I showed my range, from swimwear to gowns. Pero tame na yun!”
For his mind-bending “Transformation” dresses, something akin to Hussein Chalayan’s 2006 morphing robo-dresses, Lagat the Technician earned the bragging rights of being the “Philippines’ next big fashion designer.” A former scholar of Ben Farrales, Lagat won P500,000 prize money from Beverly Hills 6750, Brother sewing machines, a spread in a glossy fashion magazine, a clothing line at SM department stores (which was also offered to the other two), and a showcase at SM Makati.
“During the competition, we were able to show the thought processes of the Filipino designer,” Lagat says. “I learned to love my work even more. I learned all the components of a fashion show. Naramdaman ko ang mga narararamdaman ng mga mananahi,” Floresca shares. “Before Cary Santiago came along, designers who worked in the Middle East were considered baduy. But that perception has changed,” Tampus says. “I want to push crochet because Filipinos are crochet lovers.” Already, Season Two is in the works with auditions tentatively slated in December. With the number of fashion schools sprouting all over, expect Project Runway Philippines to be a hit many times over.

Wednesday, November 19, 2008

Picture Michelle Obama Wearing These: The Philippine Star

Another set of photos I took grace today's (11/19/2008) edition of The Philippine Star. This is the first time my photos to appear this publication. These photos were taken during the Grand Allure fashion show at the Philippine Fashion Week Spring Summer '09 last October 26, 2008 - featuring the designs of Eddie Baddeo. Thanks Tita Eddie & Sir Edgar for the opportunity, I really appreciate it a lot.
Below is the complete article (click here for the web version):
Inspired by remarkable women like Michelle Obama, Oprah Winfrey, Loren Legarda and Boots Anson-Roa, designer Eddie Baddeo recently presented a collection that speaks of these women of power.
During Philippine Fashion Week at the SMX Convention Center, Baddeo showed his 10-piece collection made of stretch satin and silk cocoon. His statement? Sculptured sleeves he deftly shaped into sinuous accents for his jewel-toned gowns.
Models in Wilson stilettos looked luxurious in hair and makeup by Jinky Ilusorio and Rudy Adriatico. Director Raymond Villanueva set the evening to a romantic mood.
“The atmosphere is the ‘80s, when people were brimming with optimism and everyone was just happy! At that time, YSL and Ungaro came up with clothes that were vibrant and colorful,” Baddeo declares.

Sunday, November 2, 2008

A Star Is Born: : Business Mirror, Life

Another set of photos I took grace today's (11/03/2008) edition of business mirror. These photos were taken during the Sassa Jimenez fashion show at the Philippine Fashion Week Spring Summer '09. The article is entitled "A Star Is Born" by C. Mendez Legaspi. Thanks Charles.

Below is the complete article and if you check the newspaper version there are about 9 photos that are used in the article (click here for the web version):

A Star Is Born

By C. Mendez Legaspi

Amid the Saluds, Peraltas, Madambas and distinguished young designers that showed spectacularly at the recently concluded Philippine Fashion Week, there was Sassa Jimenez. Out of fashion thin air, this burgeoning talent shone brightly at the SMX Convention Center in Runway Productions’ biggest fete yet of the country’s style-setters and trend-minders.
Coming from the Fashion Institute of Design and Merchandising, the hotbed of creativity that nurtured Monique Lhuillier and Santino Rice, Jimenez showcased her sterling talent in pattern-making and translating this into delectable dresses that swept a well-heeled crowd off its feet.
In a restrained and refined show directed by Cata Figueroa Jr., Jimenez showed a mature understanding of what women of achievement want to wear (“only in the most luxurious fabric”) when out on the town to have fun. Two formal black dresses easily stood out: one had a ball-gown silhouette with a lace bodice. “The silhouette is traditional, yet we rarely see a ball gown in dark colors. I wanted to inject a bit of sexiness into it,” Jimenez explains.
The other gown, worn on the runway by Teresa Herrera, had a dangerously low neckline. “It’s cut in a mermaid silhouette because it makes one seem taller, slimmer and sexier. It’s also in black, because I know black will make anyone look good.”

Jimenez displayed a range well beyond her 21 years. She experimented with draping and gathering in a pink “rose” skirt with a black cowl neck top. “But I didn’t want it to look too complicated so I decided to make just one area of the skirt the focal point, so I ended up with a textured portion near the bottom that resembles a rose beaming outwards on the skirt.”
Giddy at the endless possibilities of what she can capably create, Jimenez says she sees “beauty in the inconsistent folds of the fabric,” deftly incorporating origami-like details, puff sleeves with hot-pink piping, diamond ruffles, even a hood on silk chiffon, cotton voile and satin.
“Most of the pieces in the collection emphasize the woman’s waist but there are also pieces where I try to show that a dress doesn’t have to hug a woman’s waist, bust or hips to make her appear sexy,” Jimenez says. “I create dresses because I believe that every woman deserves that one dress that’s sure to make her look good and feel good.”








IN PHOTO -- TALK OF THE TOWN. Only in the most luxurious fabrics the collection that Sassa Jimenez showcased at Philippine Fashion Week had the town talking.


Saturday, November 1, 2008

Ooohhh La La ..... Fashionable Manila (At Kung Saan-saan Pa: FilAmStar

My photos grace the pages of FilAmStar on the November 1-15, 2008 Vol. 1 Issue 21. The article entitled "Ooohhh La La ..... Fashionable Manila (At Kung Saan-saan pa)" was written by sir Ernest Gonzaga. The photos I took are the photos of Iya and Jon from Bench Fashion show during the recently concluded Philippine Fashion Week Spring Summer 2009 at SM Mall of Asia. Many thanks Sir Ernest. Also in this issue is the photo by MJ Cachero (Fredeick Peralta Show) and Juby Aven Ablon (Maskara Festival) who are also from Images Asia.
Below is the article:

Wednesday, October 29, 2008

The Romantic, The Technician And The Modernist: Business Mirror, Life

Another set of photos I took grace today's (10/29/2008) edition of business mirror. These photos were taken during the final runway of the last three remaining contestants of Project Runway Philippines season 1 last October 23, 2008 at the Philippine Fashion Week Spring Summer '09. The article is entitled "The Romantic, The Technician And The Modernist" by C. Mendez Legaspi. Thanks Charles.

Who do you think will win? Is it Ariel, Philipp, or Veejay?

Below is the complete article (click here for the web version):

The Romantic, The Technician And The Modernist

By C. Mendez Legaspi

THOUGH not aired on the two biggest networks in the land, the runaway television hit of the season is Project Runway Philippines (PRP) on ETC/SBN 21. Well, at least among fashionistas and similar crowds. A Filipinized adaptation of the Peabody Award-winning show, PRP had Teresa Herrera, Rajo Laurel, Apples Aberin-Sadhwani and Jojie Lloren as our approximations of, respectively, Heidi Klum, Michael Kors, Nina Garcia and Tim Gunn.
Unlike the vapid The Philippines Next Top Model, also produced by Solar Entertainment, Runway has all the ingredients that made the original a compelling television treat: smart editing, melodramas, minibreakdowns and genuine skill. Though I may not agree with the oft-times not-so-judicious choice of guest judges, the put-on cattiness of certain contestants, and the lame attempts at colegiala accents, the show is a certified hit that a second season is already in the works.
From 14 designers from around the country, the show whittled down the contestants to a final three representing the major geographical points: Veejay Floresca, 23, of Luzon (Makati), Philipp Tampus, 36, of the Visayas (Lapu-Lapu), and Aries Lagat, 25, of Mindanao (Iligan City). The final runway show was held recently at the SMX Convention Center as part of the ongoing Philippine Fashion Week, where each of the three showed a 13-piece collection to a jam-packed venue. The final runway judges included Cesar Gaupo and Rafe Totengco.
Tampus showcased his romantic streak with a beautiful collection dominated by his deft manipulation of crochet and lace. This was an offshoot of his piece from the Wedding Challenge (Episode 6). Lagat brandished his mastery of tailoring with his “More Than a Woman” line of precise, well-constructed, stupendous clothes. That was a progression from his 2006 Mega Young Designers Competition entry of technically superior work.
Floresca, in a sharp departure from his acclaimed aesthetic as a glamourpuss (remember his View cover with Kristine Hermosa?), presented “practical clothes for the modern woman.” In satin, chiffon and charmeuse, the excitable designer’s “Her Life After Tomorrow” collection is his wardrobe vision for the woman after the global crisis is over. Much like how Dior clothed women after the Second World War, Floresca’s new austerity is one of “subdued elegance.”
“The clothes look simple from afar but upclose, one can see that they were constructed in a different way, with some degree of difficulty,” Floresca explained. “I wanted the clothes to have a global outlook because this is a reality show that’s also seen abroad via YouTube.” The show is such a hit among Pinoys that a countryman, Jasper Gavinda, won London’s version Project Catwalk Season 3, and Mark Antonio is one of the designers on Project Runway Australia.
It was a risk that Floresca, characteristically, was all too willing to take. “I wanted to show my range as a designer. This will prove my versatility that I can do avant-garde and couture. With my final collection, I showed something wearable and something commercial. It is not easy to do something simple and subdued.”
Each finalist was allotted three months and were given a six-figure budget to make their collections. “I knew Philipp’s strength is couture and Aries will do avant-garde, and since the challenge that I won was about retail [Cinderella RTW Challenge, Episode 9], I opted to go in that direction,” Floresca related.
The divine feud of Project Runway Philippines was between Floresca (almost timid) and De La Salle College of St. Benilde drawing professor Eli Gonzales (ranting and raving). Was the feud real? “Oo. Inaaway niya ako eh,” Floresca admitted. But it was the combative Gonzales whom the fans voted as their favorite.
Are you encouraging your friends to join the second season? “I can only say to them, ‘Good luck.’ With a smile.”
The most intriguing figure on the show, however, was Jaz Cerezo, 25, of Dagupan City, an advertising graduate of FEU. I caught up with the contestant, whose marked advantage was her refined taste and sophisticated aesthetic, outside the SMX hanging out with her friends after the Renée Salud show.
Were you portrayed fairly on Project Runway? “Yes. There wasn’t anything that was not me,” Cerezo said, sweetly. What’s her next career move? “Dagupan’s fashion scene is not as vibrant as Manila’s, so I will be setting up shop here. I will be staying with some friends and, as soon as my finances are OK, I will tansfer my business here.”
Now that she has attracted a modicum of fame, will she be charging a higher rate for her highly coveted occasion dresses? The modelesque designer gave a wide smile: “Not really. The price range for my clothes will be competitive and on a par with other young designers here.”
As we said our goodbyes, the theme from The Crying Game curiously filled the air.
The winning designer will be revealed in a two-part season finale of Project Runway Philippines, which will be aired on ETC on November 5 and 12.

Monday, October 27, 2008

You Must Love Me: Business Mirror, Life

My photos grace today's edition of Business Mirror. You can find it at the Life section of the newspaper and was entitled "You Must Love Me" by the fab C. Mendez Legaspi. It was taken on the 25th Anniversary of Sir Frederick Peralta and was part of the Philippine Fashion Week Spring Summer 2009.
Below is the article (click a href=http://www.businessmirror.com.ph/index.php?option=com_content&view=article&catid=32:life&id=984:you-must-love-me>here
for the online version):
You Must Love Me
by C. Mendez Legaspi
Frederick Peralta, who has been making unforgettable bridal wear since the 1980s, has devoted himself—possibly more than any other fashion designer working today—to the tender notion that love should be steadfast, unbending and unconditional. This belief was evident in all its splendor when he showed a 50-piece wedding collection at the ongoing Philippine Fashion Week, illustrating his love for his craft, dedication to his brides and grooms and fidelity to his family.
Peralta’s 25th anniversary gala, directed by Audie Espino, at the SMX Convention Center is the tour de force collection of the biggest Philippine Fashion Week, serving as the highlight of the biggest edition yet of Runway Productions and CalCarrie’s International’s weeklong celebration of the country’s deep fashion creative pool.
“I am so proud of this show,” the placid designer said a day after his fantastic showcase. Still misty eyed with the overwhelming reception he got from an adoring crowd, that included his brides for the coming months, Peralta related how even during the fittings his models couldn’t contain their excitement in wearing his creations. After all, to wear a Frederick Peralta is a badge of honor in itself.
A darling of the press as well of celebrities, a Peralta show wouldn’t be complete without the participation of some famous faces. Though both childless after years of marital bliss, a stunning Assunta de Rossi and a tense Agot Isidro still looked as radiant as new bride Joyce Jimenez. Young mom Valerie Concepcion and hopelessly in love Mariel Rodriguez also donned wedding ensembles.
“I asked them if they can be part of my 25th anniversary show and they readily said yes,” Peralta said of his name-droppable friends. Hayden Kho, with lady love Vicky Belo in the audience, led the dashing pack of grooms in cashmere, taffeta silk and brocade. Never one to keep his brides unadorned, Peralta accented each ensemble with gorgeous jewelry by Gery Sunga, bouquets by Ted Manuel, shoes by Ben Santos, and hair and makeup by Jingky Ilusorio, Koala and Rudy Adriatico.
To make his gala more memorable, Peralta created 50 looks worn by 50 models (no changes!), and for 23 kids as flower girls (with FJ, his seamstress’s daughter, stealing the show with her cute antics) and ring bearers. Like his flamboyant outfits, Peralta hardly pulled any punches for this production, and you can expect the multiawarded designer to mount another extraordinary show in the not-too-distant future.
Was it all worth it? “Yes,” the designer said without missing a beat. “Nowadays, a bridal show is the most practical thing to do because the return on investments is immediate.” In fact, the gown worn by Charo Ronquillo, an organza wonder embroidered with rosettes that took three weeks to finish, and Assunta de Rossi’s off-white and gold gown with caviar beadwork, are already spoken for.
In an embellished bouffant tulle, Gilmarie Pacamara gave the show a rousing start. Returning über model Manette Mercado glided in a texturized and pleated duchesse satin gown with glittered tulle cape. Binibining Pilipinas Jennifer Barrientos looked lovely in soft duchesse satin serpentine, Charisse Ocrisma was exquisite in a panel A-line slit gown with cenepa embroidery, Liezl Verses was divine in a gown of circular cutouts and embossed flowerettes.
With her beauty, stature and style, a Peralta bride is a woman who knows her mind and is unselfish and supportive of her partner’s pursuit of success and happiness. These are the same traits that have sustained the gifted and giving designer’s remarkable career. Here’s hoping that he will continue to weave his own brand of drama, imagination and enhancement.